School
for
Poetic
Computation
In this critical theory of technology course, together we will consider the racialized history of surveillance and the positioning of white as neutral within interfaces as forms of violence enacted through high technology. We will discuss in small groups, large discussions, and one-on-one how we all can use computational systems to create change while holding them accountable for their origins and biases. By reading critical texts, streaming artworks and interacting with professional guests we will learn how these structures are compromised so that we can begin to imagine what an outside to them might look like. This class relies on an expanded notion of study, where we will challenge one another to think outside the box about what learning is and ultimately can be. We will also look at the practices of contemporary artists critiquing (and expanding the imaginary within) technology as examples of how radical imagination can be evoked through artistic practice. By the end of the class we will publish a digital publication containing original contributions from every member of the class.
Final project:
Over the course of the 10 weeks, we will be working on a collaborative publication relating to themes discussed in class, and by the end of the class we will publish this as a digital publication containing original contributions from every member of the class. See past years’ publications (Spring 2019), (Fall 2018) and (Fall 2019).
Culture:
SFPC fosters a collaborative and relaxed learning environment. We value your questions and want to make sure all students feel comfortable engaging with the teachers and material fully. Although we will not be sitting around the same table, we are committed to offer the same level of support and dedication to this cohort of students.
Students will learn:
If this sounds like you, then YES!
If this sounds like you, then this class may not be for you:
American Artist makes thought experiments that mine the history of technology, race, and knowledge production, beginning with their legal name change in 2013. Their work engages anti-Black state violence, surveillance, and criminalization, such as predictive policing. Artist is a 2022 Creative Capital and United States Artists grantee, and a recipient of the 2021 LACMA Art & Tech Lab Grant. They have exhibited at the Whitney Museum of American Art; MoMA PS1; Studio Museum in Harlem; Museum of Contemporary Art Chicago; Kunsthalle Basel, CH; and Nam June Paik Center, Seoul. They have had solo museum exhibitions at The Queens Museum, New York and The Museum of African Diaspora, California. Their work has been featured in The New York Times, Artforum, and Huffington Post. Artist is a part-time faculty at Parsons, NYU and UCLA and a co-director of the School for Poetic Computation.
they/him
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Zainab "Zai'' Aliyu is a Nigerian-American artist and cultural worker living in Lenapehoking (Brooklyn, NY). Her work contextualizes the cybernetic and temporal entanglement embedded within societal dynamics to understand how all socio-technological systems of control are interconnected, and how we are all materially implicated through time. She draws upon her body as a corporeal archive and site of ancestral memory to craft counter-narratives through sculpture, video, installation, built virtual environments, printed matter, archives, and community-participatory (un)learning. Zai is currently a co-director of the School for Poetic Computation, design director for the African Film Festival at the Film at Lincoln Center in NYC and a 2023-24 NYSCA/NYFA Artist Fellow. Her work has been shown at Film at Lincoln Center (NYC), Museum of Modern Art Library (NYC), Miller ICA (Pittsburgh), the Centre for Heritage, Arts and Textile (Hong Kong), Casa do Povo (São Paulo, Brazil), Aktuelle Architektur der Kulturimages (Murcia, Spain), Pocoapoco (Oaxaca, Mexico) among others.
she/her
· website
· twitter
· instagram
Applications open until Applications closed on May 10, 2020.
You can expect to hear back from us about the status of your application on . Please email us at admissions@sfpc.study with any questions you have.
For 10 classes, it costs $975 + processing fees, for a one-time payment. We also offer payment plans. Participants can schedule weekly or monthly payments of the same amount. First and last payments must be made before the start and end of class. *Processing fees apply for each payment.
SFPC processes all payments via Withfriends and Stripe. Please email admissions@sfpc.study if these payment options don't work for you.
For more information about what we look for in applicants, scholarships, and other frequently asked questions, please visit our applicant FAQ.
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